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The Lusiads (Oxford World's Classics), by Luis Vaz de Camoes, Landeg White
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First published in 1572, The Lusiads is one of the greatest epic poems of the Renaissance, immortalizing Portugal's voyages of discovery with an unrivalled freshness of observation.
At the centre of The Lusiads is Vasco da Gama's pioneer voyage via southern Africa to India in 1497-98. The first European artist to cross the equator, Camoes's narrative reflects the novelty and fascination of that original encounter with Africa, India and the Far East. The poem's twin symbols are the Cross and the Astrolabe, and its celebration of a turning point in mankind's knowledge of the world unites the old map of the heavens with the newly discovered terrain on earth. Yet
it speaks powerfully, too, of the precariousness of power, and of the rise and decline of nationhood, threatened not only from without by enemies, but from within by loss of integrity and vision.
The first translation of The Lusiads for almost half a century, this new edition is complemented by an illuminating introduction and extensive notes.
ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
- Sales Rank: #329992 in eBooks
- Published on: 2001-02-15
- Released on: 2001-02-15
- Format: Kindle eBook
About the Author
Landeg White is Former Director, Centre for Southern African Studies, University of York and former editor of Journal of Southern African Studies (OUP); published poet and author of works on colonialism, Apartheid and African poetry. His latest book is Bridging the Zambezi: a Colonial Folly (Macmillan 1993)
Most helpful customer reviews
10 of 11 people found the following review helpful.
A readable verse translation.
By Brian Abel Ragen
This seems to me a much better translation than the one that was current. That one was in prose and eliminated the epic "machinery." This one keeps those important elements of the poem. I myself can't compare this translation with the original, but I can say that it is an enjoyable English poem.
4 of 4 people found the following review helpful.
A nationalistic epic beautifully told
By Steven Davis
The Lusiads is Portugal's national epic. It is a poem depicting the voyage of Vasco da Gama around Africa to India in 1497-98. The author, Luis Vaz de Camoes, made similar journeys as a common sailor barely fifty years later, writing The Lusiads as he went. He first published his poem in 1572, but evidently to no great acclaim as Camoes died in poverty a few years later.
The Lusiads is not only a national epic, but a very nationalistic one. It manages to recount, in glowing terms, all of Portugal's history from Roman times to Camoes's present (using prophesy to relate what was to come after de Gama's voyages). We learn, for example, that one Portuguese warrior is worth at least a dozen Spaniards. Camoes models his work after Odyssey and the Aeneid. The poet's stated purpose is to show that Portugal is a greater empire than Rome, that da Gama was a greater voyager than Odysseus or Aeneas, and (by inference) that Camoes is at least as great a poet as Homer or Virgil. The work suffers from his excess of ambition, and the author's occasional petulant outbursts (italicized in my edition) about his lack of financial success don't help at all.
One of the oddities of the Lusiads is that the classical Roman gods and demigods are major players in what is presented as an epic struggle between Christianity and Islam. Venus is da Gama's special protectoress, while Bacchus sides with the Mohammedans and tries to sabotage the expedition. Camoes thereby makes it all the more obvious that he is donning the mantle of Homer and Virgil. (Nor does he fail to spice up the story with lots of pagan sex.) He is at pains, however, to point out in the poem itself (lest the Inquisition take offense) that he is using the gods of antiquity just as allegories for the forces of nature. Nonetheless, it is rather unsettling to have Vasco da Gama pray humbly to the Christian God for deliverance from a storm, only to have Venus come to his rescue in the next stanza by having her nymphs seduce the minions of Neptune.
Da Gama was the first European to make contact with parts of Africa and Asia. Camoes followed him a few decades later to the same or similar locations. It would be marvelous if he had given us a portrait of these lands and their peoples in the manner of Marco Polo. Unfortunately, he does not, as his focus is on selling the idea of Portugal as Christianity's standard-bearer in the battle against Islam. Still we do see that there were cities and cultures of some substance, not only in India, but also along the east coast of Africa.
The edition of the Lusiads I read is the translation in partially rhymed free verse by Landeg White published by Oxford World's Classics. It is both beautifully rendered and highly readable with excellent supporting material. The Lusiads is no Odyssey or Aeneid, but it is a relatively short and entertaining epic that tells us a bit about Portuguese history and a lot about a poet and a nation trying to live up to the Roman legacy.
4 of 4 people found the following review helpful.
The great Portuguese epic
By M. J. Sweet
This is a very readble verse translation of the great epic of Portuguese seafaring and exploration, Os Lusiadas. Despite many translations since the seventeenth century, including one by Longfellow, the work is not widely known among Anglophones. The translator supplies good notes and gives the necessary context. The language is sometimes grandiloquent, sometimes learned or colloquial. The poem expresses an almost mystical sense of Portuguese destiny. and exceptionalism. It's a faithful but not literal translation, which can be be helpful if you're also reading the poem in the original; no translation can fully capture Camoens' music and rhythm. But, if you don't read Portuguese, and are curious about the greatest of modern national epics, full of adventure and encounters with the Exotic, history and myth, the present translation is an excellent introduction.
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